More fun with Sandy Arthur

My second winter market class was taught by Sandy Arthur and sponsored by Sundance Designs and others.

The coolest technique used on the Heart canvas was a pulled thread stitch.  We've all seen the section on pulled threads at the back of the needlepoint "Bible" written by Jo Ippolito Christensen, but I for one, have never used any of the stitches.  I'm not sure where I will use that technique again, but I am delighted to have put my toe into the M.N.A. (Master of Needlepoint Art) section of Jo's book.  (One of the best things about classes is being exposed to new things and opening your mind to new possibilities.  Duh.)

More of my favorite things...ironed Sparkles with added bling provided by Sundance beads and sequins; many wonderful border stitches, ruching and ruffled River Silks.  I see this canvas as a stand-up with feet for Valentine's glamor.

Sandy used Painter's Thread Ribbon Floss Cotton and Painter's Thread Pearl Cotton size 12 in the kit.  Good news about Painter's Thread--Threadnuts is distributing the entire diverse line of Painter's Threads and they are all in stock.  Hooray!

Next up--Susan Portra's "Vintage Bird Cage" hinged box by DJ Designs. 

My first class at winter market

I signed up for "The Sweetest Tree" because I really wanted the chance to take a class from Sandy Arthur (and because I love any class that Sundance sponsors).  Sandy is an ANG certified Senior Master Teacher and the author of the wonderful series of needlepoint books "Shapes of Needlepoint".

You have to love a teacher who starts a class by saying "If you don't enjoy this class, it's your fault."  And then the fun began....

My new favorite thing is stitching the stem stitch with beads.  Following a stitch guide from Melissa Shirley, I have successfully used beads in the Jessica stitch.  Now, armed with the stem and Jessica stitches using beads, I am going to look at my many books ad search for other ways to add beads to a stitch.

Other favorite things I learned in class today:
1)  Those small twisted beading needles make excellent needle threaders.
2)  A pincushion under the canvas holds your needle while you re-thread it for the drizzle stitch.
3)  Start the first row of your darning stitch in the center of the canvas, with enough thread coming out toward the two sides to stitch the row completely.  Stitch the pattern toward the left edge first.  Then go back to the center and take the right length of the thread and stitch the right side of the pattern.  This can alleviate the need for many swear words.  (Clear as mud?  I'll be demonstrating in my shop for our Friday stitch-in.)

My next class is also with Sandy--the canvas is a Sundance heart canvas and she promises to use beads, sequins, ribbons and Sparkles, oh my!

Not all stockings should be huge and make you cry "uncle" repeatedly.  I love Susan Roberts' stockings--they are just the right size to match more "vintage" stockings and her sense of perspective and whimsy make them great fun...plus, her Santas always have a happy, not scary, face.

I kept the stitches pretty basic for Harrison's stocking; I had visions of years of running to the mantle to snatch it down, turning it upside down and shaking it to make the goodies fall out.  Since this is Harrison's first Christmas, I wanted to make it durable enough to last until he is an adult...and perhaps still performing the same excited ritual.  (You are only young once, but you can be immature forever.)

My favorite things: 

I used Silk & Ivory Stardust in white for the cuff in a vertical stitch.  By just unwinding the thread a little as I went along, I got great coverage and I loved the sparkly effect.

The basketball is stitched with perle cotton and the Dotted stitch from "the Bible".  This gives a great nubby texture, just like an actual basketball.

I loved using Frosty Rays for the garland with a simple satin stitch.

And that is stocking number 17--two more are on the (hopefully) expanding list.

A cool stretcher bar tool

I recently went out of town and left Chris and the dogs in charge of the Bristly Thistle.  On Chris' to do list was putting together 20 sets of stretcher bars, with my special admonition that they be square.  Chris' solution (at around $5) was a T square from the LHS (local hardware store).  You can even use it to see if your stretcher bars are level!

Christmas snail

This snail from Kirk & Hamilton was really fun to stitch.  My favorite things:  Ribbon Floss satin stitched over a perle cotton chain stitch for the raised brown stripes and the T-stitch worked in size 8 Kreinik in Moonstone.  (Sharon G once said that silver thread in an open stitch seems to age better than other colors in open stitches.)

After speaking to a couple of my finishers, I have started my annual panic.  Finishers say they are getting buried early--one has even moved their finishing deadline for Christmas back by 2 weeks.  Either we are all getting smarter and finishing earlier (unlikely, I think) or we are stitching like mad!

So, don't be a snail, get stitching!

Thanksgiving March fini

Thanksgiving is now done.  Good thing - the class begins Wednesday May 30.  I had some fun with the ribbons for the sunflowers and felting the clouds.

Last Creepy finished

I just finished my last Creepy in the series (I finished the owl and the fraidy cat earlier).  It was such a pleasure to follow Robin King's stitch guide--it's like letting someone else drive so you can enjoy the scenery.

A break in the action

I've finished stitching the 4th of July March, and I am now finished with the stitch guide.

I celebrated by finishing this little firecracker canvas by Kelly Clark. I especially like the turquoise and blue stripes. I laid 3 strands of Perle Cotton #3 horizontally and satin stitched over them vertically with Shimmer Blend Ribbon Floss (turquoise) and Sprinkles (blue).

March Madness - part 3

Yankee Doodle Dandy plays the drum dressed in a fine coat with a woven belt.  And, he stuck a feather in his cap.

Creepy Frank finished

Look who just came off the rack ... er ... stretcher bars--Frankenstein from the Creeps series by Needledeeva.

My favorite things--Robin King's wonderful choice of composite stitches and the great way his sweater looks.  He's dressed perfectly for this fall weather.

Creepy Devil

What a handsome devil we have here.  This is the latest release of "the Creeps" from Needle Deeva, with stitch guide by Robin King.

I only made one change--I stitched the stars in glow-in-the-dark Kreinik.  "The Creeps" are addictive!

Kelly Clark Pumpkin Hat

I've been indulging myself by stitching both of the recently released "Creeps" from NeedleDeeva and the 6 witches' hats by Kelly Clark.

I had reached the last step in the stitch guide for the Pumpkin hat by Kelly and I felt I was all thumbs.  No matter what I tried, I couldn't combine 7mm ribbon, ruching and beads in a way that made me happy.  Many bad words were used.  In desperation, I drove OTB (Over the Bridge) to the nearest Michael's for an easier embellishment solution.  I searched the ribbon section, almost giving up, when I spotted 2 possibilities:  a 3/8" black gimp and a 5/8" black gimp with black velveteen ribbon running through it.  Not having had the foresight to bring the canvas, I bought both of them.  I ended up using them both--the narrower gimp on the hat brim and the wider gimp under the pumpkin...ghoulish couture realized.

While in Michael's I also gathered what I would need to make a black feather wreath like the one Robin King is shown holding in the latest issue of Needlepoint Now.  Having put a Styrofoam wreath form,  black spray paint, 6 black feather boas, extra bags of black feathers and silk ribbon for the hanger in my cart, I did some mental arithmetic.  Adding in the time spent not stitching, I decided I should look for a ready-made wreath.  To hedge my bets, I bought 2 boas (I can always wear them in the shop in October) and some extra black feathers in case the purchased wreath is skimpy.  When I arrived home, I went straight to the computer and found the perfect wreath.  From JoAnn Fabrics, it is 19" in diameter and 50-% off  I can't wait to decorate for the howlidays.

Noah's snow leopards

These leopards are the first pair I have chosen to stitch from the series of 12 Noah's animals by Kelly Clark

These are large animals painted in a small design area on 18 mesh canvas.  The spots reminded me of a pointillist painting.  To keep the two animals separate from each other, I tweaked the colors of the leopard on the left, trying to use a slightly different palette.  Another trick I used was to choose the most distinctive colors on each coat, stitching one color at a time until the most difficult to see color was the only one left.

Since stitching these, I have completed the peacocks and I am now stitching the giraffes.  I have found it very helpful to Google photos of the animals I stitch to look for distinctive details.

Noah's Peacocks from Kelly Clark

I spent my Sunday afternoon working on my second pair of animals for Kelly Clark's Ark, Noah's Peacocks.  (I had to do something while I watched the Cubs lose to the Pirates.)

As I usually do, I started by Googling photos of peacocks and peahens to see what effect I needed to create.  Since the animals are small pieces, I can go all out on the main characters.

Most of my time was spent beading, using four different colors of Sundance beads.  I am working on a beading class, so I tried a few different threads and techniques to stitch the beads.

For the threads, I tried Splendor in lime green to intensify the color of the lime green beads, one strand doubled through a beading needle.  I also used YLI invisible thread, also doubled through a beading needle.  For other pieces, I have used Sundance beading thread.  The net:  they all have their place.  Using a silk thread (or a colored beading thread) allows you to manipulate the color of the beads you are using.   (From what I have read and heard in classes, silk is preferred over cotton floss.)  The advantage of a clear beading thread is that it can be used for all colors of beads, obviating the need for a different color thread for each bead.  Some say the nylon threads stretch over time, but I have not experienced that.  However, if I were stitching a piece that would get a lot of use, like a purse, I would use beading thread, like that offered by Sundance.  I love using beading thread when I can because it is so easy to use (nylon thread can drive you nuts).

On the peacocks, I used the "lasso" technique, I went through some beads twice, and I went through some beads only once.  I have come to agree with the experts at Sundance that the "lasso" technique is seldom required.  Its purpose is to keep the eye of the bead from showing and further secure a bead.  However, even if I went through a bead only once, if I used a tight tension and adjusted the bead angle with my needle, the beads stayed in the proper position.  Also according to the Sundance experts, if you are concerned about truly anchoring a bead, going through it twice is more effective than using the "lasso" technique.  I also stitched some of the tail "eyes" by anchoring the first bead, a middle bead and an end bead by going through them twice; the rest were only stitched to the canvas with one pass-through.  Basically, you should use the technique that makes you most comfortable with the end results.

If you are truly worried about losing a bead from a finished piece, you should stitch under the bead with the appropriate colored thread before beading.  I'm not that paranoid...yet.

My new Cockatiel - from Labors of Love

This beauty from Labors of Love is just another fun canvas in an addictive series. They stitch up in a flash and are so gorgeous on a tree.

For this one, I added one strand of Fuzzy Stuff to Silk Lame', using a long and short stitch for the top feathers.

The top two wing sections are stitched in Nobuko, again with Silk Lame'. the lower wings are done with a Random Satin stitch.

For the lower body, I used the Fern stitch.

My next project--stitching all the Kelly Clark Ark animals, starting with the cheetahs.

I'll be watching the Cubs game this afternoon while I stitch away.

Happy 4th to all!

Columbus 2011 day 2

Some of my favorite canvases so far
* A 3D crow by Melissa Shirley on 13 count canvas; he comes with a hat and a monocle.
* Also from Melissa, gorgeous orchid purses and fanciful startfish
* From Kelly Clark, 6 witch’s hats that are so wonderful, you want them all. They come with a stitch guide, too.

* Dede Ogden has painted two views from a sitting room. My favorite is a view of the Eifel Tower through the window of a pied-à-terre.  It reminds me of trips to Paris when we rented an apartment instead of staying in a hotel. The second view is from an elegant New York apartment with a fabulous view of Manhattan.
* Labors of Love has new clip on birds to add to our collections, all of them colorful and fun.

I started the day with a fun class taught by Cynthia Thomas. The canvas was a Halloween House by DC. I’ve had a couple of customers stitch the canvas and I wanted to see what Cynthia could do with it. She taught us a technique borrowed from gold work for two of the lollipops that I can’t wait to try on other canvases. Her stitch guide and instructions were, as always, top notch.

Tips from Cynthia:
* When working with Planet Earth Opal or Vineyard Silk Shimmer, use a larger needle to keep the metallic from coming up short at the end.
* Cynthia demonstrated how to separate Lorikeet, a 9 strand overdyed wool that gives many of us fits. She started by teasing the ends of the thread apart—you can see that it separates into bundles of three. The best way to pull the strands loose is to hang a weight (like the one from Puffin Co) from the end. The real key, though, is patience.

New threads—at least for me
* Rainbow Gallery has introduced 17 new colors for Silk Lame’ for 18 count and new colors for Neon Rays +. The very coolest new Neon Rays + is a white sparkly ribbon that glows in the dark.
* YLI has an organic cotton ribbon floss that comes in the 26 Painter’s Thread colors. I love the texture—a little primitive—and can see ruching it for great effect.

Landscape Stitches Book

We just received the new book from Little Shoppe Canvas Company, "Landscape". This is the first of a series of books to be published, each based on effects for a specific category. "Landscape" includes stitches for clouds, flowers, grass, mountains, sand, shrubbery, sky, snow, soil, stone, trees and water.

I saw a rough draft of the book at market and placed an order on the spot. Now that it is finished, I love it even more and here's why:

• the categories for natural scenery stitches are all things we stitch often
• the book is small and lightweight, but packed with ideas each category includes a great variety of stitches, many of which are not in other books that recommend an effect each of the stitches is numbered and shaded for multiple layers
• each category includes important factors to consider when stitching for that landscape effect
• stitch hints are provided for each category to optimize stitch and thread choices
• each chapter begins with a stitching example that shows how to create a specific effect using a combination of threads and stitch.

This book is a welcome addition to my personal library of needlepoint books.  We have them in stock now.

The Ark Monkey House

Hooray!  Except for the part where I ran out of my silk floss, the Monkey House from the Ark is complete.

I love the stitch I used for the red walls--I found it in Jane Zimmerman's "Canvas Embroidery" Volume One.  The inspiration stitch is a "variation of basic Scotch alternated with elongated Cashmere".  I reduced the row height by one stitch, used 3 strands of silk and the result looks like wood shingles.  The best part is that I only had to rip out one previous stitch to replace it with what I think is the perfect one.

Back to the rooftops of the Ark!

The Ark part 5

I've been watching the Dodgers play the Cubs at Wrigley Field, stitching away at the main roof.  (Da Cubs are losing.)  Next, to mix things up, I'll finish the turtles and snakes on the main deck.

I am stitching the teal roof line in two long rows of continental.  In several 3-D classes I have taken from Ruth Dilts and Joan Lohr, I learned a very important tip.  Keep your finisher happy--stitching corners that will be bent by splitting the stitches at the corner.  Stitching the teal areas in basketweave would make bending the canvas more difficult.  Hopefully, the continental rows will allow for a clean, crisp edge.

Ark part 4

The great thing about working on the Ark is that if you can't think of the perfect stitch for an area, you can stitch something else while your brain works on the  problem.  The other great thing is that 6 of us are stitching this together and we are bouncing ideas off each other.  The solution for the diamond area kept eluding me.  I tried stitching a Rhodes the same size as the nearby black rectangles in the pale green.  Boring!  A fellow stitcher suggested a black beaded rectangle in the center.  Since I was going to bead the painted rectangles, this turned out to be the perfect answer.