Showing posts with label tapestry tent. Show all posts
Showing posts with label tapestry tent. Show all posts
Sunday, May 27, 2012
Thanksgiving March fini
Thanksgiving is now done. Good thing - the class begins Wednesday May 30. I had some fun with the ribbons for the sunflowers and felting the clouds.
Sunday, May 13, 2012
Tuesday, May 1, 2012
Monday, April 23, 2012
Thanksgiving march begins
I love creating stitch guides for Ashley Dillon's marches. It's like dressing up little dolls in costume.
This little Indian girl has a beaded outfit and headband and is carrying a bowl of late summer corn.
This little Indian girl has a beaded outfit and headband and is carrying a bowl of late summer corn.
Friday, March 23, 2012
Mon travail est complet!
Well, it took a little longer than expected but the 4th of July is done! And, so is the stitch guide.
Labels:
4th of July,
hot fix crystals,
susan roberts,
tapestry tent
Wednesday, March 21, 2012
Tuesday, March 6, 2012
March Madness - part 3
Yankee Doodle Dandy plays the drum dressed in a fine coat with a woven belt. And, he stuck a feather in his cap.
Monday, February 20, 2012
4th of July March - part 1
This Little Martha is marching in the 4th of July parade. I gave her a crocheted hat and textured dress for the occasion.
Labels:
4th of July,
needlepoint project,
susan roberts,
tapestry tent
Monday, December 12, 2011
My brother-in-law's stocking is finally finished. As my sister said, it has been a loooooong labor of love. This poor Santa has mostly languished in the closet, waiting for me to love him.
Because this is a Tapestry Tent canvas, most of the work was done in basketweave, French knots and lots of beads.
My favorite part is the cuff background--it's a mini scallop shape from one of Brenda Hart's books. I brought home a skein of Vineyard Silk and Silk & Ivory to see which would work best for this vertical stitch on 18 count canvas. Surprisingly the Vineyard Silk fit the bill perfectly.
I've since been rewarding myself by stitching ornament after ornament, looking forward to special new canvases at market.
Because this is a Tapestry Tent canvas, most of the work was done in basketweave, French knots and lots of beads.
My favorite part is the cuff background--it's a mini scallop shape from one of Brenda Hart's books. I brought home a skein of Vineyard Silk and Silk & Ivory to see which would work best for this vertical stitch on 18 count canvas. Surprisingly the Vineyard Silk fit the bill perfectly.
I've since been rewarding myself by stitching ornament after ornament, looking forward to special new canvases at market.
Sunday, January 23, 2011
Easter March part 3
Stitching the little girl in the Easter March brought back fond memories of dressing our girls for Easter Sunday and the Easter egg hunt that always followed. For myself as a child and for our girls, egg hunts continued into the high school and college years, where fooling the eye and the brain became a diabolical game.
This little girl's hat is stitched in two sizes of the Double Nobuko. I tried appliqueing River Silk for the ribbon, but no matter how subtle my efforts to attach the ribbon, the result was not good. I used the same ribbon in an Outline Stitch for the final result.
Her hair was stitched with 2-3 strands of Lorikeet using a long bullion needle and the Bullion Knot.
I didn't care for the way the dress was painted mostly white, so I took the richest pink and stitched the dress with two strands of one of my favorite threads, Floche.
This happy little blonde is even able to ignore her little brother, who is kicking up the back of her skirt.
This little girl's hat is stitched in two sizes of the Double Nobuko. I tried appliqueing River Silk for the ribbon, but no matter how subtle my efforts to attach the ribbon, the result was not good. I used the same ribbon in an Outline Stitch for the final result.
Her hair was stitched with 2-3 strands of Lorikeet using a long bullion needle and the Bullion Knot.
I didn't care for the way the dress was painted mostly white, so I took the richest pink and stitched the dress with two strands of one of my favorite threads, Floche.
This happy little blonde is even able to ignore her little brother, who is kicking up the back of her skirt.
Friday, January 21, 2011
Easter March part 2
I'm finishing up the Easter March--this is a photo of the flowering shrub at the lower right of the canvas.
In each 4 x 4 flower I tried: 1) 4 size 14 beads, 2) 2 x 2 Cross Stitches, 3) 2 x 2 Upright Crosses and 4) Smyrna crosses (not shown).
The beads would have driven my class nuts and I don't think the effort was at all worth the effect
The Cross Stitches would have overwhelmed the shrubbery; the Smyrna crosses were even more overwhelming.
The winner was Upright Crosses. Another option would have been a single size 11 bead placed in the center hole.
Time to write the stitch guide!
In each 4 x 4 flower I tried: 1) 4 size 14 beads, 2) 2 x 2 Cross Stitches, 3) 2 x 2 Upright Crosses and 4) Smyrna crosses (not shown).
The beads would have driven my class nuts and I don't think the effort was at all worth the effect
The Cross Stitches would have overwhelmed the shrubbery; the Smyrna crosses were even more overwhelming.
The winner was Upright Crosses. Another option would have been a single size 11 bead placed in the center hole.
Time to write the stitch guide!
Sunday, January 16, 2011
Christmas March Epilogue
Earlier I tried to add the final touch to the Christmas March by using hot fix Swarowski crystals for the stars. Trying to get those small (2mm) critters to work with the recommended tip did not work at all. The crystals kept getting jammed into the tip and the round end of the hot tip left a circular dent in the threads. After more than a few choice words, I gave up and added beads as the final idea in my stitch guide.
And yet I couldn’t bring myself to bead the stars on my canvas. After some time, I decided to try the crystals one more time.
The solution was to use the spatula-shaped tip and the index finger from my left hand. After heating the tip, I used my small tip tweezers to place the tiny crystal in place. With the hot tip pressing down on the crystal from the top, I used my left index finger to push up from below. This kept the tip from leaving an imprint because my finger made the crystal the highest point on the canvas. I held the hot tip down until I felt the heat on my skin. Another hint: once the glue has started to melt, pick up the tip to make sure placement is perfect. If not, use the tweezers to move it to the right spot and then press down until you can feel the heat.
And the stars sparkled in the night sky….
And yet I couldn’t bring myself to bead the stars on my canvas. After some time, I decided to try the crystals one more time.
The solution was to use the spatula-shaped tip and the index finger from my left hand. After heating the tip, I used my small tip tweezers to place the tiny crystal in place. With the hot tip pressing down on the crystal from the top, I used my left index finger to push up from below. This kept the tip from leaving an imprint because my finger made the crystal the highest point on the canvas. I held the hot tip down until I felt the heat on my skin. Another hint: once the glue has started to melt, pick up the tip to make sure placement is perfect. If not, use the tweezers to move it to the right spot and then press down until you can feel the heat.
And the stars sparkled in the night sky….
Wednesday, December 15, 2010
Christmas March completed!
My Christmas March is finished, except for the stars and the extra rows outside the design.
Here are a few things that changed in the process of teaching the class.
1. Kreinik drastically changed the color of the #8 braid I was using. Luckily, my class was able to trade with each other so no one had to rip out any stitches.
2, After seeing how much my polar bear picked fibers and fur out of thin air when stitched with Petite Very Velvet in white, a couple of stitchers switched to Vineyard Silk for the bear. Much better. Note to dogs: stop shedding.
3. For the wheels, one of the stitchers left the blocks until last. This allowed her to anchor a thread in the center of the wheel, letting it hang free on the front of the canvas. She used the thread to show the right direction for the random long and short stitches, rotating it as she stitched. Much easier than trying to imagine the proper direction.
4. I had originally stitched the base as a modified rice done entirely in Burmilana. To beef it up a bit, we added Kreinik #16 for the underlying cross stitches. That also left a bit of sparkle at the corners and center of each block. Will I go back and back stitch mine to make it better? What are the odds?
5. One of the stitchers went to four ply for the sky, instead of my 3 ply because she is having the canvas made into a pillow.
Keep stitching and stay warm.
Here are a few things that changed in the process of teaching the class.
1. Kreinik drastically changed the color of the #8 braid I was using. Luckily, my class was able to trade with each other so no one had to rip out any stitches.
2, After seeing how much my polar bear picked fibers and fur out of thin air when stitched with Petite Very Velvet in white, a couple of stitchers switched to Vineyard Silk for the bear. Much better. Note to dogs: stop shedding.
3. For the wheels, one of the stitchers left the blocks until last. This allowed her to anchor a thread in the center of the wheel, letting it hang free on the front of the canvas. She used the thread to show the right direction for the random long and short stitches, rotating it as she stitched. Much easier than trying to imagine the proper direction.
4. I had originally stitched the base as a modified rice done entirely in Burmilana. To beef it up a bit, we added Kreinik #16 for the underlying cross stitches. That also left a bit of sparkle at the corners and center of each block. Will I go back and back stitch mine to make it better? What are the odds?
5. One of the stitchers went to four ply for the sky, instead of my 3 ply because she is having the canvas made into a pillow.
Keep stitching and stay warm.
Thursday, November 25, 2010
Christmas March part 5
For the background I used a Wave Variation from Brenda Hart, starting with the dark sky area. For the lower area I chose a Diagonal Hungarian stitch, again from SuZy's Lite Stitches. I loved the effect when I started on the left side of the canvas, but as I spent literally hours using my Dazor to adapt the stitch to the other lighter areas I came to the realization that it was the right stitch in the wrong place. I ended up using the Wave Variation throughout the background.
This project is almost finished...soon I can move on to another wonderful canvas - the Easter March!
This project is almost finished...soon I can move on to another wonderful canvas - the Easter March!
Christmas March part 4
The moon is one of the last items I stitched. I needed Santa's stitches to help anchor the Kreinik #8. I used an open stitch called the Four Way Continental D from SuZy's Lite Stitches. I tried filling in the open spaces with Accentuate and decided that the open version was much better.
Happy Thanskgiving!
Happy Thanskgiving!
Wednesday, November 10, 2010
Christmas March part 3
I toyed with the idea of stitching the bear entirely in cut turkey work, but with so much else going on (and not wanting to spark a rebellion in the class) I kept it simple. He is stitched mostly in Petite Very Velvet using basketweave. The hat has style, though. It is stitched in the Diagonal Knitting stitch with satin-stitched tassels. French knots separate the tassels from the ties and there is fur (faux, of course) trim to add warmth and elegance. You could also add a bead in place of the French knots for a more dressy effect.
Monday, October 11, 2010
Christmas March part 2
Last Friday at our reception for Sharon G, one of my customers said “Michele, doesn’t your Christmas March class start in two weeks?” Yikes! Nothing like a little time crunch to focus the mind.
So, on Sunday, with plenty of sports to watch on television, I buckled down and stitched the Christmas tree. I started with the beads, breaking “the rule” about stitching beads last. I wanted to place them when I could still where the artist had painted them and I didn’t want to refer back to a photocopy for placement. I used a combination of Mill Hill iridescent beads and Sundance size 14 beads, attaching them with my favorite beading thread, Prisms.
Taking two different skeins of Boucle’, one overdyed and one solid, I stitched the tree needles using a satin stitch. I cut the overdye into two parts, giving me one length of light green and one of medium green. I had thought about stitching the lighter areas as though they were snow-covered, but I didn’t like the idea of the snow from the tree blending into my snowgirl. I decided that the effect that I wanted was of a moonlit tree.
The ornaments were originally stitched as Smyrna crosses with Kreinik #12, but I thought they got lost in the foliage. I then stitched over the Smyrna crosses with YLI Ribbon Floss in the Shimmer Blend version and they popped right out. The star was stitched with the same Ribbon Floss—I stitched two vertical lines slanting inward and topped them with two horizontal lines to make the star shape.
And now, back to work—the next Giants playoff game starts at 7:30.
So, on Sunday, with plenty of sports to watch on television, I buckled down and stitched the Christmas tree. I started with the beads, breaking “the rule” about stitching beads last. I wanted to place them when I could still where the artist had painted them and I didn’t want to refer back to a photocopy for placement. I used a combination of Mill Hill iridescent beads and Sundance size 14 beads, attaching them with my favorite beading thread, Prisms.
Taking two different skeins of Boucle’, one overdyed and one solid, I stitched the tree needles using a satin stitch. I cut the overdye into two parts, giving me one length of light green and one of medium green. I had thought about stitching the lighter areas as though they were snow-covered, but I didn’t like the idea of the snow from the tree blending into my snowgirl. I decided that the effect that I wanted was of a moonlit tree.
The ornaments were originally stitched as Smyrna crosses with Kreinik #12, but I thought they got lost in the foliage. I then stitched over the Smyrna crosses with YLI Ribbon Floss in the Shimmer Blend version and they popped right out. The star was stitched with the same Ribbon Floss—I stitched two vertical lines slanting inward and topped them with two horizontal lines to make the star shape.
And now, back to work—the next Giants playoff game starts at 7:30.
Thursday, September 30, 2010
Let the Christmas March begin!
It seems like weeks since I had a chance to sit and stitch. I told a customer that I feel like Dorothy in the Wizard of Oz, only my tornado dropped me on an Island named Amelia, in a small mountain of packing boxes.
A couple of nights ago I finally set up my stitching nest in the living room. I have a comfy spot in front of the television with my System 4 stand and my Dazor lamp.
My boss is letting me go early today, so I'm going to sneak in some more stitch time....
Wednesday, April 29, 2009
Halloween March needlepoint back from finisher
The Halloween March canvas is on order and headed to the Bristly Thistle.Here’s my finished pillow—I had so much fun stitching it and our pillow finisher did an incredible job matching the fabric and trim to make the canvas truly outstanding.
Saturday, February 14, 2009
"Noel" part 4
My favorite words of advice from Brenda Hart are that you need to step back and admire your work as you stitch. As stitchers it is so easy to “get into the weeds” and focus too much on individual stitches, ignoring the overall effect. When I get tired of stitching a Christmas stocking I prop it up in the evening light and I can see how it will look hanging on the mantel. “Noel” definitely glows and shows all the effects I was hoping for.
My next Christmas stocking is for my brother-in-law. He has a Harley Davidson “Fat Boy”, so his Tapestry Tent stocking features Santa on a bright red motorcycle. I love this stocking…for now!
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