Christmas Ornaments from Alice Peterson

Here you can see the different tricks I tried to outline the decorations on this ornament.

The V-shaped design shows how a couched string of beads looks.  I liked it, but chasing all those beads around while I tried to string them and then couch them was irritating, to say the least.

The right top of the design below the V-shape shows the same gold beads tent-stitched.  They barely show up, so they were nixed.

At the top, I couched Kreinik Hot Wire on the anchor-shaped design.  This is what I ultimately used for the outlines on the entire ornament.  After a lot of practice, it wasn't even difficult!

Working on the stitch guide now - more to come ...

Christmas snail

This snail from Kirk & Hamilton was really fun to stitch.  My favorite things:  Ribbon Floss satin stitched over a perle cotton chain stitch for the raised brown stripes and the T-stitch worked in size 8 Kreinik in Moonstone.  (Sharon G once said that silver thread in an open stitch seems to age better than other colors in open stitches.)

After speaking to a couple of my finishers, I have started my annual panic.  Finishers say they are getting buried early--one has even moved their finishing deadline for Christmas back by 2 weeks.  Either we are all getting smarter and finishing earlier (unlikely, I think) or we are stitching like mad!

So, don't be a snail, get stitching!

May heritage ornament by Kelly Clark

This is the May Heritage ornament from Kelly Clark--it's for my husband and self-proclaimed web lackey Chris. I'm trying to decide what to have monogrammed on the back to make it really special. At the rate I am finishing these, I'm going to need another tree next year.

Happy New Year!

March heritage ornament by Kelly Clark

I'm stitching these gorgeous ornaments by Kelly Clark at a rapid clip. I love the stitch guides, but I have added my own twist to them. Instead of using beads, I am adding Swarowski crystals in the appropriate gemstone color to each canvas. Bling!

Happy Holidays!

My brother-in-law's stocking is finally finished.  As my sister said, it has been a loooooong labor of love. This poor Santa has mostly languished in the closet, waiting for me to love him.

Because this is a Tapestry Tent canvas, most of the work was done in basketweave, French knots and lots of beads.

My favorite part is the cuff background--it's a mini scallop shape from one of Brenda Hart's books.  I brought home a skein of Vineyard Silk and Silk & Ivory to see which would work best for this vertical stitch on 18 count canvas.  Surprisingly the Vineyard Silk fit the bill perfectly.

I've since been rewarding myself by stitching ornament after ornament, looking forward to special new canvases at market.

Christmas March Epilogue

Earlier I tried to add the final touch to the Christmas March by using hot fix Swarowski crystals for the stars. Trying to get those small (2mm) critters to work with the recommended tip did not work at all. The crystals kept getting jammed into the tip and the round end of the hot tip left a circular dent in the threads. After more than a few choice words, I gave up and added beads as the final idea in my stitch guide.

And yet I couldn’t bring myself to bead the stars on my canvas. After some time, I decided to try the crystals one more time.

The solution was to use the spatula-shaped tip and the index finger from my left hand. After heating the tip, I used my small tip tweezers to place the tiny crystal in place. With the hot tip pressing down on the crystal from the top, I used my left index finger to push up from below. This kept the tip from leaving an imprint because my finger made the crystal the highest point on the canvas. I held the hot tip down until I felt the heat on my skin. Another hint: once the glue has started to melt, pick up the tip to make sure placement is perfect. If not, use the tweezers to move it to the right spot and then press down until you can feel the heat.

And the stars sparkled in the night sky….

Christmas March completed!

My Christmas March is finished, except for the stars and the extra rows outside the design.

Here are a few things that changed in the process of teaching the class.

1.  Kreinik drastically changed the color of the #8 braid I was using. Luckily, my class was able to trade with each other so no one had to rip out any stitches.
2,  After seeing how much my polar bear picked fibers and fur out of thin air when stitched with Petite Very Velvet in white, a couple of stitchers switched to Vineyard Silk for the bear.  Much better.  Note to dogs:  stop shedding.
3.  For the wheels, one of the stitchers left the blocks until last.  This allowed her to anchor a thread in the center of the wheel, letting it hang free on the front of the canvas.  She used the thread to show the right direction for the random long and short stitches, rotating it as she stitched.  Much easier than trying to imagine the proper direction.
4.  I had originally stitched the base as a modified rice done entirely in Burmilana.  To beef it up a bit, we added Kreinik #16 for the underlying cross stitches.  That also left a bit of sparkle at the corners and center of each block.  Will I go back and back stitch mine to make it better?  What are the odds?
5.  One of the stitchers went to four ply for the sky, instead of my 3 ply because she is having the canvas made into a pillow. 

Keep stitching and stay warm.

Needlepoint Decorating

I played hooky from the shop yesterday and a wonderful time touring 4 homes in our historic district. They were all beautifully decorated for the holiday season, but one house in particular stood out for me and my fellow needlepoint addicts.

The owner of the home had stitched quite a collection of needlepoint ornaments and she displayed them in imaginative ways.  Ornaments were hung from cabinet knobs, door handles and hung on the side of lampshades.  I’ve also seen wreaths and garlands that were adorned with needlepoint ornaments.  Whether you have a huge collection of needlepoint ornaments that more than fill a tree or you have just begun your collection, you can spread holiday cheer throughout your home.

Happy Holidays, Michele

Christmas March part 5

For the background I used a Wave Variation from Brenda Hart, starting with the dark sky area.  For the lower area I chose a Diagonal Hungarian stitch, again from SuZy's Lite Stitches.  I loved the effect when I started on the left side of the canvas, but as I spent literally hours using my Dazor to adapt the stitch to the other lighter areas I came to the realization that it was the right stitch in the wrong place.  I ended up using the Wave Variation throughout the background.

This project is almost finished...soon I can move on to another wonderful canvas - the Easter March!

Christmas March part 4

The moon is one of the last items I stitched.  I needed Santa's stitches to help anchor the Kreinik #8.  I used an open stitch called the Four Way Continental D from SuZy's Lite Stitches.  I tried filling in the open spaces with Accentuate and decided that the open version was much better.

Happy Thanskgiving!

Christmas March part 3

I toyed with the idea of stitching the bear entirely in cut turkey work, but with so much else going on (and not wanting to spark a rebellion in the class) I kept it simple.  He is stitched mostly in Petite Very Velvet using basketweave.  The hat has style, though.  It is stitched in the Diagonal Knitting stitch with satin-stitched tassels.  French knots separate the tassels from the ties and there is fur (faux, of course) trim to add warmth and elegance.  You could also add a bead in place of the French knots for a more dressy effect.

Christmas March part 2

Last Friday at our reception for Sharon G, one of my customers said “Michele, doesn’t your Christmas March class start in two weeks?” Yikes! Nothing like a little time crunch to focus the mind.

So, on Sunday, with plenty of sports to watch on television, I buckled down and stitched the Christmas tree. I started with the beads, breaking “the rule” about stitching beads last. I wanted to place them when I could still where the artist had painted them and I didn’t want to refer back to a photocopy for placement. I used a combination of Mill Hill iridescent beads and Sundance size 14 beads, attaching them with my favorite beading thread, Prisms.

Taking two different skeins of Boucle’, one overdyed and one solid, I stitched the tree needles using a satin stitch. I cut the overdye into two parts, giving me one length of light green and one of medium green. I had thought about stitching the lighter areas as though they were snow-covered, but I didn’t like the idea of the snow from the tree blending into my snowgirl. I decided that the effect that I wanted was of a moonlit tree.

The ornaments were originally stitched as Smyrna crosses with Kreinik #12, but I thought they got lost in the foliage. I then stitched over the Smyrna crosses with YLI Ribbon Floss in the Shimmer Blend version and they popped right out. The star was stitched with the same Ribbon Floss—I stitched two vertical lines slanting inward and topped them with two horizontal lines to make the star shape.

And now, back to work—the next Giants playoff game starts at 7:30.

Let the Christmas March begin!

 It seems like weeks since I had a chance to sit and stitch. I told a customer that I feel like Dorothy in the Wizard of Oz, only my tornado dropped me on an Island named Amelia, in a small mountain of packing boxes.

A couple of nights ago I finally set up my stitching nest in the living room. I have a comfy spot in front of the television with my System 4 stand and my Dazor lamp.

I picked up the Christmas March again and did some touch up work on Santa's coat. I then worked on his candy cane staff. The first step was to stitch a chain stitch with perle cotton #3 "inside the lines". Step 2 involved satin stitching the cane with a very light cream Flair. In step 3 I used a red and a green Petite Frosty Rays for the candy cane stripes. The colors I chose were more muted than the traditional bright red, white and green. I managed to loosen up a little and stitch the stripes in a less than precise fashion. This Santa has a hand-crafted candy cane to go with his patchwork and patched coat.

My boss is letting me go early today, so I'm going to sneak in some more stitch time....

Santa Martini needlepoint by CBK

This is one of the canvases from the 4 classes I took at the Columbus market. Nothing quite like coming back from a trip with four more UFOs (UnFinished Objects).

The class, taught by the delightful SuZy Murphy, was called "Santa in a Martini Glass". The canvas was provided by CBK Needlepoint.

This was a breeze to stitch and will look great finished as a stand-up for our bar.

Since stitch guides are just that, guides, I made a couple of changes to SuZy's stitch guide.

SuZy stitched her glass with Water 'n Ice from Rainbow Gallery, which gave the glass a frosted effect. I decided to stay with the bright holiday colors and stitched my glass with Petite Frosty Rays to match the painted canvas. The base of the glass is painted a bright royal blue. Although I have seen martini glasses that are painted exactly that way, I had to agree with SuZy that no matter what thread you pull in blue, the base just screams "look at me first...and second...and third."

The second change I made was to use a darning stitch from Brenda Hart's book "Stitches for the Millennium". Appropriately enough, it's a martini glass pattern. I chose to stitch Lemon Drops instead o Appletiniis in honor of my stitching friend Linda B.

Evelyn's stocking finished!

Evelyn's stocking just came back from the finisher and it looks great!

Here are some of the stitches I used:

Jump through loop is the fur on Santa's coat.

Woven stitch for the stocking hanging on the mantel.

The mantel and surround are stitched with Spring using the Basket Weave on Top stitch:

Evelyn's stocking part 4

The nutcracker is tent stitched with cross stitches for the buttons and an elongated Smyrna cross for the belt buckle.  His beard and hair are French knots on a stalk.

The garland is stitched entirely in French knots using Tone on Tone Vineyard Silk in Landscape.  The berries are also French knots using a red #16 Kreinik braid.

I was taught a long time ago that white-white stocking tops usually draw your eye first, a bad thing when the stocking should be the focus.  I used Natural Silk & Ivory and the Nobuko stitch for the cuff.  The name and the area around it are basketweave.  Trying to carry a specialty stitch with its compensating stitches into small areas results in a mess, so the area around “Evelyn” is just plain basketweave.

Next week - stitches I used on this project.

Now on to the new project--I’m thinking Halloween.

Evelyn's stocking part 3

Santa’s suit is the largest single design area on the canvas.  I took a lesson learned from a Pat Thode/Heartstrings Santa—use the same thread, but different stitches for each section of clothing.  I used Vineyard Silk Shimmer in Lollipop, with a bit of burgundy Silk Lame’ for the sleeve and pant lines.  The sleeve is stitched in Diagonal Scotch, the main coat in Hungarian and the pants in Corduroy.  The red hat area was stitched in Corduroy, with a change in direction for the end of the hat.

The fur trim will be masses of Jump through the Loop Turkey work.  I couldn’t think of anything else that fits as well, so I broke my rule again, using a time-consuming stitch for effect.  Jump through the Loop was the perfect Turkey work variation:  1) it stands up straight rather than leaning in one direction and 2) I can remember how to do it without having to drag out a book every time I try to stitch it.  Unlike traditional Turkey work, you start at the top.  The loops will be cut and shaped when the stocking comes back from the finisher.

The stocking, hung by the chimney with care, has a pug-nosed Teddy bear stitched in Perle cotton French knots.  The fur is a chenille I picked up somewhere, couched down.  It will get a little trimming before going to the finisher.  The main stocking was stitched with Planet Earth silk.  This is the first time I had used this thread and I really liked it.  It is very similar to Vineyard Silk, but its thickness is closer to Silk & Ivory.  The stitch was a woven stitch.

Evelyn's stocking part 2

The tall blue package behind the wagon took no time at all and I love the look. The box is wrapped in Reverse Scotch using two shades of Petite Frosty Rays. The ribbon and bow are satin stitched using Sparkle Rays.

The little red wagon was stitched using Shimmer Blend Ribbon Floss. My trusty Thread Zapper worked its magic again—using it to “cut” the thread keeps the metallic from shredding out as I stitched. The tire is Very Velvet and the wheel is two Jessicas with a Smyrna cross in the center. The outer Jessica was stitched with Kreinik #12 Red Pepper. The inner Jessica was stitched with Flair, as was the Smyrna cross at the center. I used to be terrified of Jessicas until I stitched several on a Susan Roberts mini house. Just take a deep breath and try it!

I wanted the logs in the fireplace to look a little birch-like. I used two strands of Burmilana and the upright Gobelin. Just enough of the canvas shows through to give the logs some texture.

I looked at the fireplace long and hard, trying to figure out how to give it some life. The black interior came easily—framed Cashmere using black and gray silk. The gray walls were next—Diagonal Mosaic using 3 strands of Burmilana. The wood mantel and surround took the longest time to figure out. I found a brown Spring in my stash and started by basketweaving the smaller areas. I stitched the dark brown lines with Medici and an encroaching Gobelin line. I’m sure the stitch I used has a name, but it escapes me.

Friday’s TNNA Class

My teacher was SuZy Murphy (the famous needlepoint author) and she is so much fun! The canvas she used is called “Santa in a Martini Glass” by CBK and the threads were donated by Rainbow Gallery. I would recommend this guide and canvas for an advanced beginner level class.

We worked with a couple of difficult threads (they unravel), Flair and Water N Ice. I whipped out my trusty Thread Zapper and shared its wonderful cutting/melting effects with the class.  I loved everyone's reaction--"Wow".   And, being a candidate for Teacher’s Pet, I promised Suzy she could have mine after my class on Sunday. 

Tomorrow morning at 8am (groan) I am taking a class from Robin King, needlepointer extraordinaire and producer of Amy Bunger's DVDs.

Petei Nativity Scene

I'm almost finished with Evelyn's stocking; in between sessions with that canvas, I worked on this little one by Petei.

A few years ago we had Petei's trunk show in our Michigan store and I bought the entire Nativity set for my stash.  I had seen it finished at a market in Dallas, stitched with stitch guides by John Waddell.  Of course, I had to have those, too. 

I have started with Baby Jesus, Mary and Joseph, figuring the Wise Men, shepherds and various critters can show up later.

I made a few of changes to John's stitch guide involving my choice of threads.  For the sky, I used a thread that didn't exist when the guides were written--Vineyard Silk Shimmer in Night.  It covered the 18 mesh white canvas beautifully and was much easier to use than the Gold Rush 14 called for.  I substituted Vineyard Silk for Madeira silk because I didn't have Madeira and I didn't want to have to strip and ply a thread.  I know that a lot of the same threads are called for in the entire set and I am trying to keep this easy and quick.

John called for the Serendipity stitch, one I can't believe I had never tried before.  I found the easiest way to stitch it was to start with the Mosaic stitch as if I were stitching a Framed Mosaic.  I then added the second set of stitches.  This is definitely going to be one of my "go to"All in all, I know I am going to have fun following John's stitch guides as I work on this collection.